Soundscapes
composition for sound installations
01.10.2016
Inner Space showing at Nuit blanche, Paris
On show on the 3rd basement floor of a former parking garage to be demolished, together with 20 works of street art and other digital art by Collectif RYBN, Grafitti Research Lab, Stéphane Degoutin et Gwenola Wagon, Benjamin Gaulon, Matthieu Kavyrchine, Nicolas Maigret et Maria Roszkowska, Edouard Sufrin.
open 19h–2h, 89 Boulevard Bessières, 75017 Paris
facebook event
Inner Space by Christian Delecluse, DA-Fest, Sofia, Bulgaria
The light and sound installation Inner Space offers viewers a dual experience that questions the process of how we build our perceptions. First, viewers are welcomed to contemplate a dynamic room where beams of light move in sync with sound, constantly shifting the intensity of the space and allowing the viewer to be carried away into a hypnotic trance. The piece offers a behind-the-scenes look where viewers observe the mechanical aspects of the project, with its low-tech counterweight mechanism and rough structural reinforcements. The spatial changes proposed by the installation occur randomly in real time, producing a succession of contrasting perceptions, switching between order and disorder, between determinism and chance, between mind control and letting go. Read the rest of this entry »
Inner Space by Christian Delecluse, Mapping Festival, Geneva
The second iteration of a light and sound installation, Inner Space offers viewers a dual experience that questions the process of how we build our perceptions. First, viewers are welcomed to contemplate a dynamic room where beams of light move in sync with sound, constantly shifting the intensity of the space and allowing the viewer to be carried away into a hypnotic trance. The piece offers a behind-the-scenes look where viewers observe the mechanical aspects of the project, with its low-tech counterweight mechanism and rough structural reinforcements. The spatial changes proposed by the installation occur randomly in real time, producing a succession of contrasting perceptions, switching between order and disorder, between determinism and chance, between mind control and letting go. Read the rest of this entry »
PANDA sound installation, Dairy Art Centre, London
Franck Leibovici & Diemo Schwarz present a sound installation derived from the PANDA mini-opera for non-musicians as part of the show ISLAND at the Dairy Art Centre, London.
11 October – 8 December 2013
Artists’ List:
Ai Weiwei, John Armleder, Sylvie Auvray, Tom Benson, Valentin Carron, Jake and Dinos Chapman, George Condo, Ann Craven, Thomas Demand, Fang Lijun, Urs Fischer, Théodore Fivel, Sylvie Fleury, FOS, Cyprien Gaillard, Gunjan Gupta, Anthea Hamilton, Thilo Heinzmann, Terence Koh, Sergej Jensen, Rashid Johnson, Per Kirkeby, Adriana Lara, Franck Leibovici & Diemo Schwarz, Ursula Mayer, Takashi Murakami, Order of the Third Bird, Jagannath Panda, Mai-Thu Perret, Sigmar Polke, Laure Prouvost, R.H. Quaytman, Ugo Rondinone, Sterling Ruby, Tomàs Saraceno, Julian Schnabel, Cindy Sherman, Dirk Skreber, Haim Steinbach, Rirkrit Tiravanija, Thukral and Tagra, Andro Wekua, Douglas White, Zeng Fanzhi.
Videos of installation ACCLRTR in a disused particle accelerator, Orsay
Video documentation of the Journées Arts-Sciences at Printemps de la Culture 2012 of Orsay featuring the interactive sound and video installation ACCLRTR with Ianis Lallemand, situated in the former collider ring ACO Science at Orsay University. ACCLRTR appears from 19:11 in the first video documenting the installations, and interspersed in the second video documenting the setup. More videos of the event are on http://webtv.u-psud.fr/
Presentation of Inner Space, *di*/zaïn #5, Divan du Monde
Christian Delécluse, soirée *di*/zaïn #5 : code… par soireesdizain
Inner Space, Le Cube, Issy les Moulineaux
A la suite de sa résidence de création au Cube, Christian Delécluse présente au public Inner Space, sa dernière installation numérique coproduite par Le Cube et Arcadi.
Inner Space est une installation lumineuse et sonore qui interroge les processus de construction de nos perceptions à travers la constitution d’espaces sensibles en perpétuelle transformation, à l’intérieur d’un vaste volume de la taille d’une chambre à coucher standard (12 m²).
Ce travail offre une double expérience. Read the rest of this entry »
Installation ACCLRTR in a disused particle accelerator, Orsay
Interactive sound and video installation with Ianis Lallemand, in the former collider ring ACO Science at Orsay University south of Paris, within the Art-Science days of the festival Printemps de la Culture, May 23–24.
See here photos of the fascinating site still ringing with a rich scientific history.
Silver Sounds Exhibition with MTBF soundscape wins award
See the exhibition’s site at http://www.naughtongallery.org/silversounds.
The exhibition is unique because visitors can ‘hear’ as well as see the University’s silver collection, through using handheld computers to highlight objects and listen to the artists’ interpretations. Ten internationally renowned sound artists created sound pieces to accompany 22 of the silver objects, exploring their origins and the reasons for their creation and use. Read the rest of this entry »
Trowel and Seal Silver Sounds exhibition soundscape, Naughton Gallery, QUB, Belfast
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This composition was commissioned by Queens University, Belfast, for the QUB Silver Collection soundscapes project, a permanent exhibition at QUB’s Naughton Gallery that presents the universities rich silver collection in a setting where each piece is accompanied by a soundscape, commissioned from one of ten internationally renowned sound artists. These soundscapes respond to the provenance of a particular piece of silverware and explore the reasons for its creation, donation and use and combine with the silver objects to create a new immersive artwork.
The exhibition won the 2008 Times Higher Education Award for Excellence and Innovation in the Arts.
The soundscape for the two exhibition objects Presentation Seal and Trowel (1896) is based on the re-contextualisation of sounds stemming from the life cycle and environment of the exposed objects: their creation, their materiality, their usage, and the concepts and entities they refer to. These sounds are re-contextualised into a soundscape according to their sonic characteristics by corpus-based synthesis, creating a reminiscence of the objects’ presence in its multiple facets, a sort of sonic cubism.