Premiere of the piece I am speaking into a microphone, 2019, at the 7th International Conference on Technologies for Music Notation and Representation (TENOR)
This piece puts forward a less common form of real-time composition: the automatic analysis of live sound from the speaking voice. However, the transformation of the voice into musical material and structure does not happen in the instant (like with beat boxing or voice- controlled synthesis), but is projected into time and space, in that the voice’s constituent sound particles are sequenced so much slower than they have been spoken such as to generate a rhythmic and spatial score.
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