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	<title>Diemo Schwarz</title>
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	<description>Fine Sound Art since 1993</description>
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		<title>IKEA Hack: Add wheels to the Knarrevik nightstand to turn it into a moveable video projector stand</title>
		<link>http://diemo.free.fr/wp/?p=2428&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ikea-hack-add-wheels-to-the-knarrevik-nightstand-to-turn-it-into-a-moveable-video-projector-stand</link>
		<comments>http://diemo.free.fr/wp/?p=2428#comments</comments>
		<pubDate>Sun, 25 Jan 2026 22:58:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[The Knarrevik nightstand is the perfect size for a short-throw video projector, but it is tedious to move around.   The solution: add wheels, fixed below an additional plate taken from a second Knarrevik (it is only 13€). 1. Get 4 wheels and some 8 mm plywood to affix them to. Remove the white plastic feet from the 4 legs. 2. Cut [...]]]></description>
			<content:encoded><![CDATA[<p>The Knarrevik nightstand is the perfect size for a short-throw video projector, but it is tedious to move around.   The solution: add wheels, fixed below an additional plate taken from a second Knarrevik (it is only 13€).</p>
<p>1. Get 4 wheels and some 8 mm plywood to affix them to. Remove the white plastic feet from the 4 legs.</p>
<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_7405-web.jpg"><img class="size-full wp-image-2431 alignnone" title="IMG_7405-web" src="http://diemo.free.fr/wp/wp-content/uploads/IMG_7405-web.jpg" alt="" width="400" height="533" /></a></p>
<p>2. Cut out 2 strips from the plywood that can slide under the folded-in edges of the metal plate.  It will be held in place by the black screws that affix the legs. The toughest part is to drill 8 additional holes at the bottom of the legs at the right positions.  I used an M8 metal drill and a round metal file to correct the inevitable misalignments with the screw holes in the plate.</p>
<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_7407-web.jpg"><img class="alignnone size-full wp-image-2433" title="IMG_7407-web" src="http://diemo.free.fr/wp/wp-content/uploads/IMG_7407-web.jpg" alt="" width="400" /></a></p>
<p>3. Pre-drill through the 8 plate holes into the plywood, affix the wheels with 16 8mm wood screws, and mount the legs to the plate.  Check the angles before mounting the 2 other plates to the existing screw holes.</p>
<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_7410-web.jpg"><img class="alignnone size-full wp-image-2435" title="IMG_7410-web" src="http://diemo.free.fr/wp/wp-content/uploads/IMG_7410-web.jpg" alt="" width="400" /></a></p>
<p>4. That&#8217;s it, enjoy your moveable projector stand!  The remaining parts still make for a small side table, but could need some diagonal trussing to make it more stable.</p>
<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_7415-web.jpg"><img class="alignnone size-full wp-image-2437" title="IMG_7415-web" src="http://diemo.free.fr/wp/wp-content/uploads/IMG_7415-web.jpg" alt="" width="400" /> </a><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_7416-web.jpg"><img class="alignnone size-medium wp-image-2438" title="IMG_7416-web" src="http://diemo.free.fr/wp/wp-content/uploads/IMG_7416-web-225x300.jpg" alt="" width="400" /></a></p>
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		<title>Guylaine Cosseron / Diemo Schwarz, Les dimanches de l&#8217;impro, Montreuil</title>
		<link>http://diemo.free.fr/wp/?p=2423&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guylaine-cosseron-diemo-schwarz-les-dimanches-de-limpro-montreuil</link>
		<comments>http://diemo.free.fr/wp/?p=2423#comments</comments>
		<pubDate>Sun, 07 Dec 2025 18:00:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Projects]]></category>
		<category><![CDATA[Guylaine Cosseron]]></category>

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		<description><![CDATA[Duo Guylaine Cosseron (voice) &#38; Diemo Schwarz (electronics) at Les dimanches de l&#8217;impro, Les Pianos — Montreuil A deep dive into the plasticity of the voice and the fathomlessness of embodied electronics.  The plastic edge and the internal body. How can the voice make visible what escapes sight?  Through improvisation, Guylaine Cosseron and Diemo Schwarz [...]]]></description>
			<content:encoded><![CDATA[<div lang="x-western"><a href="http://diemo.free.fr/wp/wp-content/uploads/mira-black.png"><img class="alignleft" style="margin-right: 5px;" title="mira-black" src="http://diemo.free.fr/wp/wp-content/uploads/mira-black.png" alt="" width="300" height="100" /></a>Duo Guylaine Cosseron (voice) &amp; Diemo Schwarz (electronics) at Les dimanches de l&#8217;impro, Les Pianos — Montreuil</p>
<p>A deep dive into the plasticity of the voice and the fathomlessness of embodied  electronics.  The plastic edge and the internal body. How can the voice make  visible what escapes sight?  Through improvisation, Guylaine Cosseron and Diemo  Schwarz deal with the duality and complementarity between vocal performance and  digital tools.  A poetic work that questions the relationship between humans,  animality and machines. CD:<br />
<a href="https://cosseron-schwarz.bandcamp.com/album/in-my-water">https://cosseron-schwarz.bandcamp.com/album/in-my-water</a></p>
<p>Guylaine Cosseron &amp; Diemo Schwarz, Audio Foundation, Auckland, Feb 2024  <a href="https://www.youtube.com/watch?v=aq-WuaFvQew">https://www.youtube.com/watch?v=aq-WuaFvQew</a></p>
<p><strong>Guylaine Cosseron </strong>is a singer, vocalist and composer, Artistic director of Cie Vocal Unlimited in  Normandy.  Specialist in improvisation and the use of the voice as a musical  instrument.   Her eclectic voice, diverted in search of an internal sound world  through great vocal technicality visiting all the music of the world through  free improvisation.</p>
<p><strong>Diemo Schwarz</strong> plays with electronic materials rich in timbres and textures,  exploring different corpora of sound using gestural controllers, thus allowing  expressiveness and the body to dialogue with the digital instrument. His use of  concatenative synthesis recomposes the space of sounds and questions their  intrinsic qualities. By freeing them from their usual contexts, they reveal  unsuspected riches.</p>
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		<title>Guylaine Cosseron / Diemo Schwarz Germany Tour, Cologne, Hamburg, Potsdam, Münster</title>
		<link>http://diemo.free.fr/wp/?p=2418&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guylaine-cosseron-diemo-schwarz-germany-tour-cologne-hamburg-potsdam-munster</link>
		<comments>http://diemo.free.fr/wp/?p=2418#comments</comments>
		<pubDate>Wed, 08 Oct 2025 19:00:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Projects]]></category>
		<category><![CDATA[Guylaine Cosseron]]></category>

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		<description><![CDATA[wed 8 october Guylaine Cosseron, Diemo Schwarz @Plattform, Köln thu 9 october Guylaine Cosseron, Diemo Schwarz @Ligeti-Zentrum, Hamburg sat 11 october Guylaine Cosseron, Diemo Schwarz @Designing Voices festival, Potsdam sun 12 october Guylaine Cosseron, Diemo Schwarz @Black Box, Münster Duo Guylaine Cosseron (voice) &#38; Diemo Schwarz (electronics): A deep dive into the plasticity of the [...]]]></description>
			<content:encoded><![CDATA[<div lang="x-western"><a href="http://diemo.free.fr/wp/wp-content/uploads/cosseron-2024-ig_0.jpeg"><img class="alignleft size-full wp-image-2392" style="margin-right: 5px; margin-top: 5px; margin-bottom: 5px;" title="cosseron 2024 ig_0" src="http://diemo.free.fr/wp/wp-content/uploads/cosseron-2024-ig_0.jpeg" alt="" width="300" /></a><span><strong>wed 8 october</strong></span><span> Guylaine         Cosseron, Diemo Schwarz </span><span>@<a href="https://huebsch.me/plattform/">Plattform</a>, Köln</span></div>
<div lang="x-western"><span><strong>thu 9 </strong></span><span><strong>october</strong></span><span> Guylaine           Cosseron, Diemo Schwarz </span><span>@<a href="https://www.hfmt-hamburg.de/promotion-forschung-und-transfer/transfer/ligeti-zentrum/">Ligeti-Zentrum</a>,           Hamburg</span></div>
<div lang="x-western"><span> </span><span><strong>sat 11 </strong></span><span><strong>october</strong></span><span> Guylaine           Cosseron, Diemo Schwarz </span><span>@<a href="https://designing-voices.nowitz.de/">Designing Voices             festival</a>, Potsdam</span></div>
<div lang="x-western"><span><strong>sun 12 </strong></span><span><strong>october</strong></span><span> Guylaine               Cosseron, Diemo Schwarz </span><span>@<a href="http://www.blackbox-muenster.de/index.php?id=programm">Black Box</a>,               Münster</span></div>
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<div lang="x-western">Duo Guylaine Cosseron (voice) &amp; Diemo Schwarz (electronics): A deep dive into the plasticity of the voice and the fathomlessness of embodied  electronics.  The plastic edge and the internal body. How can the voice make  visible what escapes sight?  Through improvisation, Guylaine Cosseron and Diemo  Schwarz deal with the duality and complementarity between vocal performance and  digital tools.  A poetic work that questions the relationship between humans,  animality and machines.<span id="more-2418"></span></div>
<div lang="x-western">
<p><a href="https://cosseron-schwarz.bandcamp.com/album/in-my-water">https://cosseron-schwarz.bandcamp.com/album/in-my-water</a></p>
<p>Guylaine Cosseron &amp; Diemo Schwarz, Audio Foundation, Auckland, Feb 2024  <a href="https://www.youtube.com/watch?v=aq-WuaFvQew">https://www.youtube.com/watch?v=aq-WuaFvQew</a></p>
<p><strong>Guylaine Cosseron </strong>is a singer, vocalist and composer, Artistic director of Cie Vocal Unlimited in  Normandy.  Specialist in improvisation and the use of the voice as a musical  instrument.   Her eclectic voice, diverted in search of an internal sound world  through great vocal technicality visiting all the music of the world through  free improvisation.</p>
<p><strong>Diemo Schwarz</strong> plays with electronic materials rich in timbres and textures,  exploring different corpora of sound using gestural controllers, thus allowing  expressiveness and the body to dialogue with the digital instrument. His use of  concatenative synthesis recomposes the space of sounds and questions their  intrinsic qualities. By freeing them from their usual contexts, they reveal  unsuspected riches.</p>
</div>
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		<title>ONCEIM concerts Rome, Paris, Huddersfield</title>
		<link>http://diemo.free.fr/wp/?p=2412&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=onceim-concerts-rome-paris-huddersfield</link>
		<comments>http://diemo.free.fr/wp/?p=2412#comments</comments>
		<pubDate>Sat, 04 Oct 2025 20:00:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Projects]]></category>
		<category><![CDATA[ONCEIM]]></category>

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		<description><![CDATA[sat 4 october ONCEIM @RomaEuropa &#8211; Teatro Argentina, Rome, Italie Constellation, C. Marclay + Gruidés, S. O’Malley + Occam Ocean, E. Radigue mon 6 october ONCEIM @Festival d&#8217;automne, église du saint-Esprit, Paris Orbes, F. Bonnet (création) + Occam Ocean, E. Radigue thu 20 november ONCEIM @Maison de l’Ile de France Laminaire #26 / Improvisation sat 22 [...]]]></description>
			<content:encoded><![CDATA[<p><span><strong>sat 4 </strong></span><span><strong>october</strong></span><span> ONCEIM @<a href="https://romaeuropa.net/festival-2025/gruides-di-stephen-omalley-constellation-di-christian-marclay-occam-ocean-di-eliane-radigue/">RomaEuropa</a> &#8211; Teatro Argentina, Rome, Italie<br />
<a href="https://onceim.fr/marclay-fr/"><em>Constellation, </em></a><a href="https://onceim.fr/marclay-fr/">C. Marclay</a> <em>+ <a href="https://onceim.fr/o-malley-fr/">Gruidés, </a></em><a href="https://onceim.fr/o-malley-fr/">S. O’Malley</a><em> +               <a href="https://onceim.fr/eliane-radigue-fr/">Occam                 Ocean,</a></em><a href="https://onceim.fr/eliane-radigue-fr/"> E. Radigue</a></span></p>
<p><span> </span><span><strong>mon 6 october </strong></span><span>ONCEIM </span><span>@<a href="https://www.festival-automne.com/fr/edition-2025/francois-j-bonnet-eliane-radigue-francois-j-bonnet-eliane-radigue">Festival             d&#8217;automne</a>, église du saint-Esprit, Paris<br />
</span><span><em>Orbes, </em>F. Bonnet<em> (création) + <a href="https://onceim.fr/eliane-radigue-fr/">Occam Ocean,</a></em><a href="https://onceim.fr/eliane-radigue-fr/"> E. Radigue</a></span></p>
<div><span><strong>thu 20 november</strong> </span><span>ONCEIM </span><span>@Maison de l’Ile de France<br />
</span><span><a href="https://onceim.fr/laminaire/"><em>Laminaire               #26 /</em> Improvisation</a></span></div>
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<div><span><strong>sat 22 november </strong></span><span>ONCEIM </span><span>@</span><span><a href="https://hcmf.co.uk/hcmf-2025-opening-weekend-announcement/#single-page-content">Hcmf </a></span><span><a href="https://hcmf.co.uk/hcmf-2025-opening-weekend-announcement/#single-page-content">festival</a>//           - Huddersfield, UK<br />
<span><a href="https://onceim.fr/marclay-fr/"><em>Constellation,</em> C.               Marclay</a> + </span><a href="https://onceim.fr/murphy-fr/"><em>Together we feel and               alone we experience, </em>G. Murphy</a></span></div>
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<p><strong><span id="more-2412"></span>L&#8217;ONCEIM</strong></p>
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<p>Fondé  en 2011 sous l’impulsion de Frédéric Blondy, ONCEIM est un orchestre  de 35 musiciens et un collectif qui rassemble leurs différents projets.</p>
<p>L’ONCEIM  se consacre à la création contemporaine en expérimentant plusieurs  modes d’élaboration, de transmission et de composition musicale. Dans  ce processus de travail, chaque musicien a un rôle créatif majeur,  construisant la musique par sa virtuosité singulière et le vocabulaire  musical qu’il élabore à travers son instrument.</p>
<p>ONCEIM  réunit des instrumentistes de très haut niveau qui développent des  pratiques instrumentales et des styles musicaux totalement personnels.  Ils sont interprètes et/ou improvisateurs et/ou compositeurs, et  souvent les trois à la fois, ce qui leur permet de saisir pleinement  les complexités et les subtilités de la musique d’aujourd’hui.</p>
<p>Engagé  dans une approche très plastique du sonore, l’ONCEIM s’intéresse à  la création de formes musicales inédites. Il sollicite des  commandes-collaborations auprès d’artistes sonores ou compositeurs au  parcours atypique (Éliane Radigue, Stephen O’Malley, Karl Naegelen, Peter  Ablinger,&#8230;). Des personnalités fortes et singulières du paysage  musical actuel ayant rarement l’occasion de se confronter à  l’orchestre.</p>
<p><a rel="noopener noreferrer" href="https://onceim.fr/" target="_blank">https://onceim.fr/</a></p>
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		<title>Audio–Visual Performance Extense with Nicolas Souchal, Théatre Astrée, Lyon</title>
		<link>http://diemo.free.fr/wp/?p=2385&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=audio%25e2%2580%2593visual-performance-extense-with-nicolas-souchal-theatre-astree-lyon</link>
		<comments>http://diemo.free.fr/wp/?p=2385#comments</comments>
		<pubDate>Thu, 26 Jun 2025 19:00:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Projects]]></category>
		<category><![CDATA[audio-visual]]></category>
		<category><![CDATA[Nicolas Souchal]]></category>

		<guid isPermaLink="false">http://diemo.free.fr/wp/?p=2385</guid>
		<description><![CDATA[Nicolas Souchal (augmented trumpet) and Diemo Schwarz&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_1855.jpg"><img class="alignleft size-medium wp-image-1507" style="margin-right: 5px; margin-top: 5px;" title="flyer-extense.jpg" src="http://diemo.free.fr/wp/wp-content/uploads/flyer-extense.jpg" alt="" width="300" height="157" /></a><a href="http://nicolassouchal.webnode.fr/" target="_blank">Nicolas Souchal</a> (augmented trumpet) and <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to these sounds, on the other hand, it analyzes them and draws from them the way in which the video navigates in a corpus of images of paintings by Elisabeth Saint-Jalmes. The public is invited to construct their own sensitive experience of the device and to interpret the correspondences between images and sounds.</p>
<p><a tabindex="0" href="https://www.facebook.com/nicolas.souchal?__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=-]K-R">Nicolas Souchal</a>&#8216;s inventive trumpet playing is in this project doubly extended by audio transformation and video generation, thanks to the  <a tabindex="0" href="https://www.facebook.com/hashtag/cocavs?__eep__=6&amp;__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=*NK-R">cocavs</a> project from <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s art–science residency at <a tabindex="0" href="https://www.facebook.com/institutimera?__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=-]K-R">Iméra &#8211; Institut d&#8217;études avancées d&#8217;Aix-Marseille Université</a>.</p>
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<div>Linux Audio Conference</div>
<div>Lyon, France</div>
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		<title>Seminar and Audio–Visual Performance Augmentation Audio–Visuelle de la Trompette : Entre contrôle et imprévisibilité dans une collaboration recherche-création sur le long terme with Nicolas Souchal, Ircam, Paris</title>
		<link>http://diemo.free.fr/wp/?p=2387&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=seminar-and-audio%25e2%2580%2593visual-performance-augmentation-audio%25e2%2580%2593visuelle-de-la-trompette-entre-controle-et-imprevisibilite-dans-une-collaboration-recherche-creation-sur-le-long-terme-with-ni</link>
		<comments>http://diemo.free.fr/wp/?p=2387#comments</comments>
		<pubDate>Wed, 04 Jun 2025 11:00:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Other Projects]]></category>
		<category><![CDATA[audio-visual]]></category>
		<category><![CDATA[Nicolas Souchal]]></category>

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		<description><![CDATA[Nicolas Souchal (augmented trumpet) and Diemo Schwarz&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_1855.jpg"><img class="alignleft size-medium wp-image-1507" style="margin-right: 5px; margin-top: 5px;" title="flyer-extense.jpg" src="http://diemo.free.fr/wp/wp-content/uploads/flyer-extense.jpg" alt="" width="300" height="157" /></a><a href="http://nicolassouchal.webnode.fr/" target="_blank">Nicolas Souchal</a> (augmented trumpet) and <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to these sounds, on the other hand, it analyzes them and draws from them the way in which the video navigates in a corpus of images of paintings by Elisabeth Saint-Jalmes. The public is invited to construct their own sensitive experience of the device and to interpret the correspondences between images and sounds.</p>
<p><a tabindex="0" href="https://www.facebook.com/nicolas.souchal?__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=-]K-R">Nicolas Souchal</a>&#8216;s inventive trumpet playing is in this project doubly extended by audio transformation and video generation, thanks to <a tabindex="0" href="https://www.facebook.com/hashtag/mubu?__eep__=6&amp;__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=*NK-R">#mubu</a> and the <a tabindex="0" href="https://www.facebook.com/hashtag/cocavs?__eep__=6&amp;__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=*NK-R">#cocavs</a> project from <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s art–science residency at <a tabindex="0" href="https://www.facebook.com/institutimera?__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=-]K-R">Iméra &#8211; Institut d&#8217;études avancées d&#8217;Aix-Marseille Université</a>. <a rel="noreferrer noopener" href="https://forum.ircam.fr/projects/detail/mubu/" target="_blank">https://forum.ircam.fr/projects/detail/mubu/</a> <a rel="noreferrer noopener" href="https://www.imera.fr/chercheur/schwarz-diemo/" target="_blank">https://www.imera.fr/chercheur/schwarz-diemo/</a></p>
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<div>Les Mercredis STMS</div>
<div><a href="https://medias.ircam.fr/en/media/21abf2279460befbc21f" target="_blank">video</a></div>
<div>Ircam, Paris, France</div>
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		<title>Collective Creation Laminaire #25 with ONCEIM, La Muse en Circuit, Paris</title>
		<link>http://diemo.free.fr/wp/?p=2381&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=collective-creation-with-onceim-la-muse-en-circuit-paris</link>
		<comments>http://diemo.free.fr/wp/?p=2381#comments</comments>
		<pubDate>Wed, 28 May 2025 18:00:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
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		<description><![CDATA[Collective improvisation Laminaire #25 with ONCEIM at La Muse en Circuit, Alfortville. Video ONCEIM avec Pierre-Antoine Badaroux (saxophone alto), Félicie Bazelaire (violoncelle), Sébastien Beliah (contrebasse), Patricia Bosshard (violon), Cyprien Busolini (alto), Giani Caserotto (guitare), Xavier Charles (clarinette), Pierre Cussac (accordéon), Jean Daufresne (euphonium), Bertrand Denzler (saxophone ténor), Vianney Desplantes (euphonium), Benjamin Dousteyssier (saxophone baryton), Jean [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://diemo.free.fr/wp/wp-content/uploads/vanves-1-244335362_2985950791724153_8109762467282357045_n.jpg"><img class="alignleft size-full wp-image-2148" style="margin-left: 5px; margin-right: 5px;" title="vanves 1 244335362_2985950791724153_8109762467282357045_n" src="http://diemo.free.fr/wp/wp-content/uploads/vanves-1-244335362_2985950791724153_8109762467282357045_n.jpg" alt="" width="300" height="120" /></a>Collective improvisation <em>Laminaire #25</em> with ONCEIM at <em>La Muse en Circuit, </em>Alfortville.</p>
<p><a href="https://www.youtube.com/watch?v=lWZeEn63AlM&amp;ab_channel=LaMuseenCircuit" target="_blank">Video</a></p>
<p><a href="http://onceim.fr" target="_blank"><span id="more-2381"></span>ONCEIM</a> avec Pierre-Antoine Badaroux (saxophone alto),  Félicie Bazelaire (violoncelle), Sébastien Beliah (contrebasse),  Patricia Bosshard (violon), Cyprien Busolini (alto), Giani Caserotto (guitare), Xavier Charles (clarinette),  Pierre Cussac (accordéon), Jean Daufresne (euphonium), Bertrand Denzler  (saxophone ténor), Vianney Desplantes (euphonium), Benjamin Dousteyssier  (saxophone baryton), Jean Dousteyssier (clarinette), Benjamin Duboc  (contrebasse), Yoann Durant (saxophone alto), Rémi Durupt (percussion),  Elodie Gaudet (alto), Antonin Gerbal (batterie), Louis Laurain (trompette), Carmen Lefrançois (saxophone  baryton), Julien Loutelier (batterie), Jean-Sébastien Mariage (guitare),  Frédéric Marty (contrebasse), Arnaud Rivière (électronique), Joris Rühl  (clarinette),   Diemo Schwarz (percussion/electronics), Alvise Sinivia (piano),  Deborah Walker (violoncelle).</p>
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		<title>Extended Voice Duo Guylaine Cosseron / Diemo Schwarz, Impromptissimo, Paris</title>
		<link>http://diemo.free.fr/wp/?p=2390&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guylaine-diemo-impromptissimo</link>
		<comments>http://diemo.free.fr/wp/?p=2390#comments</comments>
		<pubDate>Tue, 20 May 2025 19:30:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
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		<category><![CDATA[Guylaine Cosseron]]></category>

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		<description><![CDATA[Duo Guylaine Cosseron (voice) &#38; Diemo Schwarz (electronics) at Impromptissimo, Paris A deep dive into the plasticity of the voice and the fathomlessness of embodied electronics.  The plastic edge and the internal body. How can the voice make visible what escapes sight?  Through improvisation, Guylaine Cosseron and Diemo Schwarz deal with the duality and complementarity [...]]]></description>
			<content:encoded><![CDATA[<div lang="x-western"><a href="http://diemo.free.fr/wp/wp-content/uploads/cosseron-2024-ig_0.jpeg"><img class="alignleft size-full wp-image-2392" style="margin-right: 5px; margin-top: 5px; margin-bottom: 5px;" title="cosseron 2024 ig_0" src="http://diemo.free.fr/wp/wp-content/uploads/cosseron-2024-ig_0.jpeg" alt="" width="300" /></a>Duo Guylaine Cosseron (voice) &amp; Diemo Schwarz (electronics) at Impromptissimo, Paris</p>
<p>A deep dive into the plasticity of the voice and the fathomlessness of embodied  electronics.  The plastic edge and the internal body. How can the voice make  visible what escapes sight?  Through improvisation, Guylaine Cosseron and Diemo  Schwarz deal with the duality and complementarity between vocal performance and  digital tools.  A poetic work that questions the relationship between humans,  animality and machines.<br />
<a href="https://cosseron-schwarz.bandcamp.com/album/in-my-water">https://cosseron-schwarz.bandcamp.com/album/in-my-water</a></p>
<p>Guylaine Cosseron &amp; Diemo Schwarz, Audio Foundation, Auckland, Feb 2024  <a href="https://www.youtube.com/watch?v=aq-WuaFvQew">https://www.youtube.com/watch?v=aq-WuaFvQew</a></p>
<p><strong>Guylaine Cosseron </strong>is a singer, vocalist and composer, Artistic director of Cie Vocal Unlimited in  Normandy.  Specialist in improvisation and the use of the voice as a musical  instrument.   Her eclectic voice, diverted in search of an internal sound world  through great vocal technicality visiting all the music of the world through  free improvisation.</p>
<p><strong>Diemo Schwarz</strong> plays with electronic materials rich in timbres and textures,  exploring different corpora of sound using gestural controllers, thus allowing  expressiveness and the body to dialogue with the digital instrument. His use of  concatenative synthesis recomposes the space of sounds and questions their  intrinsic qualities. By freeing them from their usual contexts, they reveal  unsuspected riches.</p>
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		<title>Audio–Visual Performance Extense with Nicolas Souchal, Anis Gras, Arcueil</title>
		<link>http://diemo.free.fr/wp/?p=2366&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=audio%25e2%2580%2593visual-performance-extense-with-nicolas-souchal-anis-gras-arcueil</link>
		<comments>http://diemo.free.fr/wp/?p=2366#comments</comments>
		<pubDate>Fri, 31 Jan 2025 18:30:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
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		<guid isPermaLink="false">http://diemo.free.fr/wp/?p=2366</guid>
		<description><![CDATA[Nicolas Souchal (augmented trumpet) and Diemo Schwarz&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://diemo.free.fr/wp/wp-content/uploads/IMG_1855.jpg"><img class="alignleft size-medium wp-image-1507" style="margin-right: 5px; margin-top: 5px;" title="flyer-extense.jpg" src="http://diemo.free.fr/wp/wp-content/uploads/flyer-extense.jpg" alt="" width="300" height="157" /></a><a href="http://nicolassouchal.webnode.fr/" target="_blank">Nicolas Souchal</a> (augmented trumpet) and <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s (computer music design, visuals) art–science research studies the correspondences between the sound and visual worlds, as well as the sharing of control between humans and machines. To do this, a computer exploits the sounds of the trumpet in two ways. On the one hand, it applies live processing to these sounds, on the other hand, it analyzes them and draws from them the way in which the video navigates in a corpus of images of paintings by Elisabeth Saint-Jalmes. The public is invited to construct their own sensitive experience of the device and to interpret the correspondences between images and sounds.</p>
<p><a tabindex="0" href="https://www.facebook.com/nicolas.souchal?__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=-]K-R">Nicolas Souchal</a>&#8216;s inventive trumpet playing is in this project doubly extended by audio transformation and video generation, thanks to the <a tabindex="0" href="https://www.facebook.com/hashtag/cocavs?__eep__=6&amp;__cft__[0]=AZUu8x668EU9y0xaAu4IXiIj7WF_KJCb0Rb9ZT8uHEo_3EATRtCEVF-FLkaTYmcMThjPZelstaAxLH4WJaxAKCexa0WjY7vTkBBuX1D8tib20y-I69TFRNDi5iRfsKzM8Uy1tc9H9bB7l3Ld0zTdKsud8rR4cRRfzi5pHI0ynHmilrtI_-LDRqYFrHGrAVUkOU4&amp;__tn__=*NK-R">cocavs</a> project from <a href="http://diemo.concatenative.net/" target="_blank">Diemo Schwarz</a>&#8216;s art–science residency at Iméra &#8211; Institut d&#8217;études avancées d&#8217;Aix-Marseille Université.</p>
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<div>Anis Gras &#8211; le lieu de l&#8217;Autre</div>
<div>55 Avenue Laplace, 94110 Arcueil, France</div>
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		<title>ONCEIM inaugurating Neto, Le Bon Marché, Paris</title>
		<link>http://diemo.free.fr/wp/?p=2378&#038;utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=onceim-inaugurating-neto-le-bon-marche-paris</link>
		<comments>http://diemo.free.fr/wp/?p=2378#comments</comments>
		<pubDate>Mon, 13 Jan 2025 20:00:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Music]]></category>
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		<category><![CDATA[ONCEIM]]></category>

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		<description><![CDATA[ONCEIM plays at the inauguration of Ernesto Neto&#8217;s installation at Le Bon Marché, Paris ONCEIM avec Pierre-Antoine Badaroux (saxophone alto), Félicie Bazelaire (violoncelle), Sébastien Beliah (contrebasse), Patricia Bosshard (violon), Cyprien Busolini (alto), Giani Caserotto (guitare), Xavier Charles (clarinette), Pierre Cussac (accordéon), Jean Daufresne (euphonium), Bertrand Denzler (saxophone ténor), Vianney Desplantes (euphonium), Benjamin Dousteyssier (saxophone baryton), [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://diemo.free.fr/wp/wp-content/uploads/vanves-1-244335362_2985950791724153_8109762467282357045_n.jpg"><img class="alignleft size-full wp-image-2148" style="margin-left: 5px; margin-right: 5px;" title="vanves 1 244335362_2985950791724153_8109762467282357045_n" src="http://diemo.free.fr/wp/wp-content/uploads/vanves-1-244335362_2985950791724153_8109762467282357045_n.jpg" alt="" width="300" height="120" /></a>ONCEIM plays at the inauguration of Ernesto Neto&#8217;s installation at <em>Le Bon Marché</em>, Paris</p>
<p><a href="http://onceim.fr" target="_blank"><span id="more-2378"></span>ONCEIM</a> avec Pierre-Antoine Badaroux (saxophone alto),  Félicie Bazelaire (violoncelle), Sébastien Beliah (contrebasse),  Patricia Bosshard (violon), Cyprien Busolini (alto), Giani Caserotto (guitare), Xavier Charles (clarinette),  Pierre Cussac (accordéon), Jean Daufresne (euphonium), Bertrand Denzler  (saxophone ténor), Vianney Desplantes (euphonium), Benjamin Dousteyssier  (saxophone baryton), Jean Dousteyssier (clarinette), Benjamin Duboc  (contrebasse), Yoann Durant (saxophone alto), Rémi Durupt (percussion),  Elodie Gaudet (alto), Antonin Gerbal (batterie), Louis Laurain (trompette), Carmen Lefrançois (saxophone  baryton), Julien Loutelier (batterie), Jean-Sébastien Mariage (guitare),  Frédéric Marty (contrebasse), Arnaud Rivière (électronique), Joris Rühl  (clarinette),   Diemo Schwarz (percussion/electronics), Alvise Sinivia (piano),  Deborah Walker (violoncelle).</p>
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